Bookish Talk #3 – Looking for Bargains on Book Markets
Is it wrong to buy a book at a low price when you know its real (high) value? How do the street book sales in Bucharest and Sofia look like? What's special about the book market in the Hague?
Is it wrong to buy a book at a low price when you know its real (high) value? How do the street book sales in Bucharest and Sofia look like? What's special about the book market in the Hague?
Welcome to Arta Cărții! Or, at least that's how the workshop of Mihai Vârtejaru looked like almost three years ago. I planned to share these photos for quite a long time, and when I revisited Mihai's studio, everything was moved.work
My recent visit to the National Museum of Contemporary Art (MNAC) in Bucharest, Romania, had made me muse on what exactly the book is as a medium. There are purists who would tell you that codex (with some basic alterations) is the only valid format. In the modern world of electronic media, this view seems to me a bit narrow. Even more, if you consider the long and diverse history of the book, you will see that codex may be a prominent format today, but it is only a small part of all of the invented book formats. Continue reading →
As in many other Eastern European countries, Romania had seen a steep decline in bookbinding craftsmanship in the post-Soviet years. There are some remarkable masters, including some younger bookbinders. However, book restoration and bookmaking are reasonably expensive services, and it is quite understandable that in one of the less developed European countries the demand is quite low. Continue reading →
Until the 2nd of April an amazing exhibition is open in Bucharest, Romania. Anatomia Restaurării (The Anatomy of Restoration) is dedicated to 25 years of conservation and restoration conducted at the the Muzeul Naţional de Artă al României (National Museum of Art of Romania). Continue reading →